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January 19, 2021 - No Comments!

blog week11

Inspiration from: Material Semiotics (John Law)

For instance, at least in their origins, feminist material semiotics and actor network theory had different conceptions of both the semiotic and the political. It is partly because material semiotics takes social inquiry to be contexted and situated which means that impartial overviews are impossible.

Although digital art is a male dominated field, women have always insisted on developing their own career in this field. In the field of science and technology, women have been facing gender discrimination from various angles. For material semiotics, nominist material semiotics is put into the social environment to explore, Therefore, it is difficult to be completely objective and fair.

Feminists are often labeled with various labels, and feminism itself will be classified by male chauvinists. For the male chauvinist groups in society, when some feminists will not harm their status and interests, they can allow the existence of this idea. However, if feminists try to challenge their authority, they will be able to accept this idea, This kind of feminism will be defined as "false feminism". For example, in China, for some men, when feminists support that women and men should bear the same social responsibility, and the consumption of lovers is shared equally by women and men, the male chauvinists will be happy to see this kind of feminism. However, when women want to fight for equal job opportunities, they will not be happy to see this kind of feminism, When men are called on to take more care of their children and do housework, and even support women to participate more in politics, male chauvinism will start to be vigilant and strongly oppose the existence of feminism, and try to combat women's acceptance of feminist enlightenment by stigmatizing feminism.

May Waver, a young digital artist says:  I use digital tools to make art concerned with selfhood / the body, intimacy, and care, and in doing so advocate a feminism that “struggles to eradicate the ideology of domination that permeates Western culture.” ( Bell Hooks). 

Digital means can create more possibilities for artists. When feminist artists express women's thoughts and dissatisfaction with the society through digital means, it may cause the prevention of male chauvinism who is dominant in the digital field. Although feminism makes some women's lives better, at the same time, women may become more unpopular in some fields.

 

Feminists have observed that the world looks different if you start from the periphery rather than the centre (Star 1991). Obviously, there is no absolute definition of feminist material semiotics. When people look at problems in different situations, they will come to different conclusions. Women's groups are complex and huge. Women of different classes and races face different difficulties. Feminists need to consider all groups as much as possible when thinking about problems, but it is difficult to take into account all people.

 

Digital Artist May Waver Talks Feminism, Intimacy, and the Internet

January 09, 2021 - No Comments!

” The Crisis ” – Music Visualization by Processing

Produced by Cheng Yang
Background  &  Concept

The music - " The Crisis" is the soundtrack from the film: the legend of 1900

- He was born at sea and adopted by sailors. Facing the piano, he is self-taught, he is a real genius, by countless people chase after and applause.

-He began to love, love a girl, silent and soulful, who made him wonder if he would get off the ship and face the new world for her. But his final choice was still his piano, his sea.

-He said the piano had only 88 keys, but the outside world was a huge piano with countless black and white keys that he could not handle.

If using music to describe a person's life, then what the tune will be.

1900 the original life is just like that calm and repeated in the main tune, until the girl appeared, thousands of times repeated life began to have a new note, not boring and monotonous, but calm and warm.

This limited and repetitive melody, until the death of the last note, probably best represents 1900's whole life.

 

My Ideas

The background blue lines represent the ocean, the sea is forever rising and falling, like 1900's normal life. The visual style of the sea I want to make is more hand-painted (imitating the feeling of colored pencils), because hand-painted patterns or lines tend to be more emotional and flexible. Meanwhile, every time the waves of the sea move and undulate according to the music.

The colorful hair-like lines represent 1900's ups and downs of heart and mind. Although going through the same life every day, seemingly calm outside with a heart that struggles because of a girl. The colors of these lines are got from the movie poster. I wanted to create a sense of continuity in these lines, that they were all intersecting and continuing with each other. The movements of these lines also follow the music.

The Techniques Used - FFT

Book: Learning Processing ( by Daniel Shiffman)  The Chapter 20.6

About Minim Library: http://code.compartmental.net/tools/minim/

"FFT: perform a Fourier Transform on audio data to generate a frequency spectrum."

“The process of spectrum analysis involves reading an acoustic signal (a sound wave) and decoding it into a series of frequencies. The more frequency band, the more accurate amplitude of the specified frequency can be obtained. The lower the frequency band, the louder the sound over a wider range of frequencies can be found."

Other reference:

Book: Generative Gestaltung  (Komplexe Methoden –  M.1 Zufall und Rauschen –  M.1.5 Verrauschte Bewegung –  M_1_5_03_TOOL)

http://www.generative-gestaltung.de/1/M_1_5_03_TOOL

 

My Video

There is a sea in everyone's heart , and his sea is music, is the piano, is the girl.

- The End -

2020.12

 

January 13, 2020 - No Comments!

s_STUTTER_r

Produced by: Peilu Chen

 

"s-stutter-r" is a project about the inner state of stutterers during their communication. By programming, the stutterer's fragmented language is visualized, and disorderly sounds are used to control visual changes. Visually, because sound affects the distortion of facial features, through constantly deformed eyes and mouth, the overlapping nose and the gradually disordered words, the three major characteristics of stutterers —— "repetition", "block" and "prolongation" are emphasized when speaking, highlighting the normalcy of irregularities. In this way, the project is aimed to show anxiety, madness, and annoyance of stutterers when facing stuttering disorders.

The project is inspired by Aayusha Shrestha's artwork "Knot A Stutter", which is a visualisation of an imperfect speech through the knotted string to show signs of behaviours in the language associated with stammering. Shrestha uses different knots to denote specific types of behaviours (ie. use Figure 8 knot to show a repetition). The knotting is also used to show the tension and constriction associated with stutters, which arouses my thinking of exploring the inner and outer space of a stutter through generative visual elements.

Stuttering is seen as a language obstacle, mainly reflected in disfluent speech. I choose three typical behaviours, which is prolongation, block and repetition, and express them through code. "Prolongation "is shown as constantly struggling eyes and mouth, they are pulled in horizontal and vertical directions and become distorted, creating a glitch effect that allows us to see tears in the mouth and deformities in the eyes. "Block" is reflected in the shaking texts. Once you click the mouse, the complete sentence will return to "OH MY GOD! That is not what I am Thinking", and then each word will gradually spread around the canvas and be disrupted. The meaning of the sentence will also become fragmented and lose its original meaning, reflecting the absence of language expression in stammering. "Repetition" is shown as continuously overlapping noses, which appear randomly in the center of the canvas. The combination of these three characteristics makes the whole picture a sense of distortion, disorder and absurdity.

Before designing these elements, I looked at Alda Villiljós's photography. She records some special facial movements with people's stutters. Usually, when people stutter, their faces will show a strained and distorted expression due to the inability to speak and express smoothly, such as tight eyebrows and exaggerated mouth movements, which will also increase their inner tension and frustration.

In the meantime, the recording by Morgantj called "short-circuiting talking toy" produces a stuttering voice by controlling an audible toy. I edited the recording and used it to control my visual elements through the minim library so that the distortion of the picture will change with the sound. The repetitive and disordered sounds can also increase people's anxiety and annoyance when stuttering (Please turn off the sound if necessary).

The project is more a reflection of a psychological state, that is, a language disorder under tension and anxiety. It is not only in stuttering patients, anyone is likely to go through these blocks or transient aphasia, making language and the mental state becomes fragile and fragmented. When distorted and deformed images, wordless words and annoying voices repeatedly showing up in front of people, they will get a feeling as they struggle and get frustrated from stammering. I hope this will help people understand more about the stutterers and also the inner state under a stuttering situation, giving them more patience and help.

 

Reference:

the example "Visuals of Earth" in Week5

"Knot A Stutter" by Aayusha Shrestha

http://www.aayushashrestha.com/knot-a-stutter.html

"s-s-stutter - An Interactive Exhibit" by Oliver Jordan

http://www.studentshow.com/gallery/51941357/s-s-stutter-An-Interactive-Exhibit

" Stutters" by Alda Villiljós

https://www.behance.net/gallery/32747515/Stutters

Garcias's code about text

https://www.openprocessing.org/user/42380

February 16, 2016 - 1 comment.

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